image by Meg Runion
I’m endlessly fascinated by the makers of jewelry– the process from raw materials to finished product is an intricate, creative, and subjective experience and all the love that goes in to each piece is astounding. And whether a jewelry line is massed produced or completely customized, it all starts somewhere: with a bead, a strangely-shaped piece of metal, a shiny stone.
I connected with designer Tricia Humphreys through our mutual friend Jen Fariello in my quest to discover more local artists and makers. The jewelry Tricia creates is a mash-up of old and new. When Tricia talks about her jewelry, it’s as if she’s discussing the lives of old friends– to her, each antique piece, whether it be a locket, part of a belt buckle, or a portion of a pocket watch, tells a story, one that she feels privileged to retell as she creates something entirely new by intertwining an “old” piece with new beading.
image by Tom Daly
When did your interest in jewelry begin?
Tricia: Don’t all little girls love jewelry? I can honestly say I have loved it all my life. As a child on vacation, I can remember visiting the amusement park at the beach night after night, collecting my arcade tickets, saving up for one very sparkly ring in the prize case. I still have that ring! My family has always celebrated milestones with gifts of jewelry… confirmations, turning 16, 18, 21, graduations, engagements, weddings, anniversaries, having babies and so on. Jewelry becomes a marker of a particular time in your life, and that gives each piece a sentimental meaning.
image by Tom Daly
My first job was in a jewelry store! I wasn’t even old enough to drive. The manager put me behind the counter at the ripe old age of 15 and I was in heaven.
My interest in antique jewelry dates back to childhood as well. My grandparents loved to go antiquing and I was fortunate enough to spend a lot of weekends with them. While they were hunting for the things they loved, I would go straight to the jewelry case. I always found myself wondering about the original owner of each piece of jewelry and how one came to be separated from the other.
At what point did you realize you wanted to make jewelry into a fully-realized business?
Tricia: My sister and I started making jewelry as soon as she was old enough to drive us to the bead store in the Fan District of Richmond. But things really got started for us on a rainy day at the beach in 2001. With nothing else to do, we found a few bead stores, came back to the house and made a dozen necklaces. GotRocks was born. We started having trunk shows once or twice a year and our friends became loyal customers. Back then our primary goal was to make enough money to go to New York, buy more beads and start all over again!
image by Tom Daly
Then in 2011, my friend Wendi Smith of Leftover Luxuries fame connected me with Lynne Goldman and Steve Metz of Lynne Goldman Elements (formerly Lynne Goldman Studio). They have been carrying our work for almost two years and that has really enabled us to take things to a whole new level. They really “get” what we’re trying to do and see the value and beauty in it. The opportunity and encouragement I have gotten from Lynne and Steve has just been life changing! And now they’ve opened a stunning new store on the Downtown Mall… you have to go see it!
image by Jen Fariello
Take us behind the scenes: what does an average day look like for you?
Tricia: Well, my real job is being a mom, so my days pretty much revolve around that, but I do spend a ton of time hunting for antique pieces that speak to me. I am REALLY picky, so the hunt can be time consuming. Whenever possible I love to find things in person, but I also have some great online resources. I tend to collect pieces for a while and then sit down to production. It ends up being a four to six week cycle; two to three weeks hunting, two to three weeks creating and producing.
image by Meg Runion
The concept of mixing old and new is one fashion folks are fascinated with; tell us a little about the concept and inspiration behind your pieces!
Tricia: The antiques are inspiration in and of themselves. I don’t buy a piece unless I am completely and totally in love with it. By the time I pull the trigger, I already have a picture in my head of how it is going to look in the end.
Anyone can take a sweet, romantic Victorian locket and turn it into a sweet, romantic necklace. What I love to do it to take that same piece and create something entirely unexpected. The best is when I can make something look really modern, even though it is over 100 years old; or when I can take a masculine piece like a watch fob or a sporting medal and make it look feminine; or when I can rework something that started its life as one thing and turn it into a wearable piece of jewelry. Every piece I purchase was once a symbol of something, of love, or loss, or hope, or accomplishment. To me they are orphans who have somehow lost their way. I love to bring them back to life and give them new homes.
How do you combat creative blocks? What do you do to keep yourself refreshed and creatively challenged?
Tricia: After I have been in production mode for a while my studio looks like a bomb went off. Cleaning up and reorganizing always makes me happy and it gives me a clean slate to work on. That’s a real boost for creativity. Coming home from bead buying with strands and strands of new sparkly things also really gets the creative juices flowing.
image by Tom Daly
Being a businesswoman is surely part of your life; what parts of your personality lend itself the business side of your company and the creative side? Are there aspects of small-business-owning that you want to continue improving?
Tricia: Believe it or not, being a stickler for details works for both my creative and business sides. It is the little details that make something special and beautiful. My work is very carefully crafted and being a little on the anal side really helps. And it helps on the business side for obvious reasons.
image by Meg Runion
What jewelry or fashion trends are you loving right now?
Tricia: Fall and winter fashions were a great source of inspiration because the focus was on color, especially jewel tones. For spring, I think the colors are going to go a little softer, but color is color and that’s what I love. For better or worse, I don’t really try to follow fashion with my work, I just try to make things that are beautiful. Beauty is always in style, right?
What advice do you have for up-and-coming designers or creatives? How do you create and run a small business while having a balanced life?
Tricia: Balance? You’re talking to the wrong person. Although I strive for that, I am far from it and sometimes my house feels like it is falling down around me! But I think the best advice is to create a great space to work in, even if it is just a worktable in a corner of a room. Then do what you love, and do it with confidence and conviction, and others will see the beauty and the value in it.
image by Tom Daly
What’s next for you?
Tricia: Long term, I would love to create a limited edition line of vintage-and antique-inspired jewelry based on pieces I collect.But in the short term, I’m just hoping for a long weekend in New York with my sister to find more goodies to work with!
Find Tricia’s line, GotRocks Jewelry, exclusively at the new Lynne Goldman Elements on the Downtown Mall and follow along on Facebook!
SM